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Bitch Vocalist
Betsy


FIB MUSIC:  What's new? What's in the future?

Betsy:   AS ALREADY PUBLICIZED, MY ORIGINAL DRUMMER, ROBBY SETTLES, AND I HAVE RECENTLY PUT TOGETHER AN ALL NEW 2-GUITAR LINE-UP. WE STARTED OUT BY PLAYING SOME GIGS (FEATURING VINTAGE BITCH MATERIAL) JUST TO GET THE FEEL OF PLAYING TOGETHER, AND WE ARE NOW EMBARKING ON A RECORDING. WE'RE NOT SURE AT THIS POINT WHETHER IT'LL BE AN E.P., AN L.P., OR A "MINI-L.P.". WE HAVE ALOT OF SONGS WE'RE GOING TO BE LAYING DOWN, AND IT JUST DEPENDS ON HOW MANY WE WANT TO RELEASE. WE ALSO HAVE A WEBSITE IN THE WORKS, BUT IN THE MEANTIME, KEEP POSTED TO OUR MY SPACE AT: www.myspace.com/bitchmetal FOR FUTURE DEVELOPMENTS

FIB MUSIC:  Can you tell us a little about where you grew up and how Bitch came together?

Betsy:   I GREW UP ON A SMALL ISLAND RIGHT OVER THE BRIDGE FROM ATLANTIC CITY, NEW JERSEY CALLED "BRIGANTINE". BEAUTIFUL LITTLE SEASHORE TOWN WITH THE OCEAN ON ONE SIDE AND THE BAY ON THE OTHER. MY FATHER STILL LIVES THERE SO IT GIVES ME AN EXCUSE TO GO BACK FOR A WEEK DURING EACH SUMMER AND GET AWAY FROM THE RAT RACE OF L.A. I JUST GOT BACK FROM VACATIONING THERE AS A MATTER OF FACT. EVERY DAY WAS A BEACH DAY AND I'M VERY TAN. BITCH WAS FORMED BY THE ORIGINAL GUITAR PLAYER, DAVID CARRUTH (WHO IS NO LONGER PLAYING IN THE BAND) AND THE ORIGINAL DRUMMER, ROBBY SETTLES (WHO IS). THEY KNEW EACHOTHER FROM TEXAS AND HOOKED UP WHEN THEY BOTH MOVED OUT TO L.A. TO FORM A BAND. THEY ORIGINALLY HAD IN MIND FOR IT TO BE AN ALL-MALE BAND, BUT WHEN THEY ANSWERED MY AD IN THE LOCAL MUSIC TRADE, HEARD MY VOCAL ABILITY AND GOT A LOAD OF MY IMAGE, THEY THOUGHT IT WOULD BE A GREAT IDEA TO HAVE A BAND CALLED "BITCH' FEATURING A FEMALE FRONT PERSON. WE GOT OUR FIRST LINE-UP TOGETHER IN 1980 AND STARTED GIGGING AND RECORDING SHORTLY THEREAFTER UNTIL RECENTLY, IT WAS ALWAYS DAVID, ROBBY AND I....AND WE WENT THROUGH (NO EXAGGERATION) ABOUT 12 BASS PLAYERS. ....JUST COULDN'T HOLD ONTO ONE FOR VARIOUS REASONS. OUR BEST BASSIST AND THE ONE WHO HAD THE MOST LONGEVITY WITH THE BAND WAS RON CORDY.



Bitch - Be My Slave

FIB MUSIC:  Bitch was playing in L.A. during the birth of the 80's? Can you describe what that time was like?

Betsy:   IN A WORD - AWESOME....SOME OF THE BEST TIMES OF MY YOUNG-ADULT LIFE. THE L.A. METAL SCENE WAS BURGEONING. THERE WAS SOMETHING HAPPENING AT CLUBS IN HOLLYWOOD AND IN THE SAN FERNANDO VALLEY (WHERE I LIVE) EVERY SINGLE NIGHT OF THE WEEK. THE SUNSET STRIP WAS CROWDED WITH PEOPLE AND BANDS HANDING OUT FLYERS...HELL, YA DIDN'T EVEN HAVE TO BOTHER GOING INTO A CLUB..THE PARTY WAS OUT ON THE STREET! AT THAT TIME WE WERE PLAYING WITH BANDS SUCH AS RATT, METALLICA, SLAYER, MALICE, GREAT WHITE, W.A.S.P., BLACK AND BLUE AND ARMORED SAINT..TO NAME JUST A FEW.

FIB MUSIC:  I just got through interviewing Paul Shortino, who had been in L.A. since the 70's. Do you remember him during the early 80's? Any good Shortino tales to share?

Betsy:   ARE YOU KIDDING? ONE OF THE MOST MEMORABLE TALES. WENDY DIO (RONNIE'S WIFE, WHO WAS MANAGING ROUGH CUTT AT THE TIME) BOOKED BITCH AND ROUGH CUTT AT EL TORO MARINE BASE FOR TWO NIGHTS OVER ONE WEEKEND. THESE POOR MARINES DID NOT KNOW WHAT TO MAKE OF US. HERE THEY WERE AT THEIR MONTHLY "AT EASE WEEKEND" WANTING TO SLOW-DANCE WITH THEIR DATES, AND WE'RE PLAYING THIS HARD CORE METAL AND I'M PRANCING AROUND STAGE IN MY S&M GEAR WITH MY THIGH-HIGH BLACK LEATHER BOOTS, WEILDING A WHIP AND SINGING "BE MY SLAVE". IT WAS TOTALLY SOMETHING OUT OF THE MOVIE "THIS IS SPINAL TAP" (WHICH INCIDENTALLY, PAUL SHORTINO HAD A SMALL PART IN...). SHORTINO HAS ALWAYS BEEN ONE OF MY FAVORITE ROCK VOCALISTS; GREAT VOICE!

FIB MUSIC:  Were you the first band to ever sign with Metal Blade Records, or one of the first?

Betsy:  AFTER BRIAN SLAGEL RELEASED THE FIRST "METAL MASSACRE" COMPILATION ALBUM, WHICH WE WERE ON, BITCH WAS HIS ACTUAL FIRST FULL-BAND RELEASE. IT WAS OUR FIRST RECORDING TOO...AN E.P. CALLED "DAMNATION ALLEY".

FIB MUSIC:  How did you get your record deal with Metal Blade?

Betsy:  MY ORIGINAL GUITARIST, DAVID, WAS AN AVID RECORD COLLECTOR OF IMPORTS, PICTURE DISCS, RARE EUROPEAN RELEASES, ETC., AND AT THAT TIME, BRIAN SLAGEL RAN A RECORD STORE CALLED "OZ RECORDS" WHERE HE STOCKED ALL THAT KIND OF STUFF. DAVID MET HIM AS A PATRON OF BRIAN'S STORE, THEY STRUCK UP A FRIENDSHIP, DAVID TOLD BRIAN ABOUT THE NEWLY FORMED "BITCH", AND BRIAN ENTHUSIASTICALLY OFFERED TO SPONSOR OUR FIRST RECORDING. THIS IS WHEN HE WAS RUNNING METAL BLADE RECORDS OUT OF HIS MOTHER'S GARAGE, MIND YOU!

FIB MUSIC:  How would you describe Brian Slagel?

Betsy:  I GO WAY WAY WAY BACK WITH BRIAN. HE'S A GREAT FRIEND, AND SOMEONE I HAVE FOND MEMORIES OF HANGING OUT WITH. I WATCHED HIM TAKE METAL BLADE FROM SMALL POTATOES TO THE SUCCESSFUL OPERATION IT IS NOW. IF IT WEREN'T FOR BRIAN, BITCH WOULD HAVE NEVER GOTTEN THE NATIONAL AND INTERNATIONAL NOTARIETY WE ENDED UP WITH.

FIB MUSIC:  What were the terms of your record deal? How did it work? Was the recording self-financed and he paid to release it, promote it, etc?

Betsy:   I DON'T GET TOO INVOLVED IN THE BUSINESS ASPECT OF THINGS...I JUST KIND OF SHOW UP AND SING AND PLAY "THE BITCH", BUT IF MEMORY SERVES, I THINK WE ALL KIND OF PITCHED IN, WITH A GOOD CHUNK OF IT COMING FROM BRIAN AND METAL BLADE. THE BUZZ WAS PRETTY GOOD AT FIRST, AND I THINK IT JUST KIND OF PROMOTED ITSELF.

FIB MUSIC:  Since you helped finance the record yourself, did you receive royalties immediately?

Betsy:  WE DID GET SOME NICE ROYALTY CHECKS FROM ALL OF OUR METAL BLADE RELEASES. WE RE-COUPED THE RECORDING BUDGET FIRST OFF, BUT THE REST WERE SOME NICE CHUNKS OF MONEY TRICKLING IN FROM TIME TO TIME....

FIB MUSIC:  Any memories stand out from the "Damnation Alley" recording sessions?

Betsy:  IT WAS REALLY MY FIRST GO-ROUND AT RECORDING ANYTHING PROFESSIONAL. I JUST REMEMBER FALLING IN LOVE WITH THE WHOLE RECORDING AND STUDIO PROCESS AND BEING REALLY EXCITED HEARING IT ALL COME TOGETHER.

FIB MUSIC:  Where did you record it? How much did it cost?

Betsy:  DON'T REMEMBER EITHER ONE OF THOSE THINGS. IT WAS AT A PROFESSIONAL RECORDING STUDIO, BUT THE NAME OF IT ESCAPES ME. LOOK AT THE ALBUM SLEEVE - IT SHOULD INDICATE WHERE IT WAS RECORDED, MIXED, MASTERED, ETC. (SORRY - I'M NOT GOOD AT TECHNICALITIES)



FIB MUSIC:  Did you tour with any bands to support it? If so, any good memories from the road, or local shows during that time?

Betsy:   AS I SAID, WE PLAYED WITH ALL OF OUR METAL BLADE LABEL-MATES. SLAYER, METALLICA (BOTH OF THOSE BANDS ACTUALLY OPENED UP FOR US, BELIEVE IT OR NOT...), ARMORED SAINT, BLACK AND BLUE, ETC. ONE OF THE MORE COMICAL PLACES WE PLAYED WAS WITH RATT AND METALLICA AT "BILLY BARTY'S DISCO ROLLER RINK"....BRIAN BOOKED THAT ONE! WE ALSO PLAYED WITH A BAND CALLED "LONDON' IN A LITTLE CALIFORNIA TRUCK STOP TOWN CALLED FRESNO. THE CLUB WAS A COMBINATION ROCK JOINT AND BAIT AND TACKLE SHOP, WHEREIN WE HAD TO SHARE A DRESSING ROOM WITH JARS OF WORMS AND A STREAM OF MINNOWS SWIMMING AROUND. OH - AND IT WAS ALSO THE HOLIDAY SEASON, SO THEY WERE SELLING CHRISTMAS TREES IN THE PARKING LOT....SOMETHING FOR EVERYONE!

FIB MUSIC:  Out of all the bands in L.A., during the 80's, which one / ones, in your opinion, did you think stood out the most? Were there any that you just knew were going to make it?...and why?

Betsy:  OF COURSE THERE WAS ALWAYS "SOMETHING ABOUT" METALLICA - WE KNEW THEY'D HIT IT BIG. AS WELL AS W.A.S.P. AND SLAYER. THEY JUST HAD THAT QUALITY, MAGNETISM AND MUSIC ABILITY THAT ENTHRALLED THE FANS WHO CAME TO SEE THEM.

FIB MUSIC:  Were there any L.A. bands that you thought were going to be huge, but didn't necessarily do so?

Betsy:  YEAH - BUT MOSTLY FRIENDS OF MINE - BANDS WHO'S NAMES YOU WOULDN'T KNOW.

FIB MUSIC:  What do you remember about Blackie Lawless back then?

Betsy:  COMMANDING, CONTROLLING, KIND OF FULL OF HIMSELF - AND VERY CONFIDENT. KINDA' SCARY AND INTIMIDATING, ACTUALLY. HE CUTS A MEAN FIGURE.....LARGER THAN LIFE.

FIB MUSIC:  Any good Motley Crue stories from back in the day?

Betsy:  I WAS GOOD FRIENDS WITH NIKKI SIXX WHEN HE FIRST STARTED OUT IN A BAND CALLED "LONDON". I USED TO GO SEE THEM AT THIS CLUB IN HOLLYWOOD, WHICH DOESN'T EXIST ANYMORE, CALLED THE STARWOOD. I REMEMBER TALKING TO NIKKI ON THE PHONE ONE AFTERNOON AND HE WAS TELLING ME THAT HE WAS QUITTING "LONDON" BECAUSE HE HAD THIS GREAT IDEA FOR A BAND CALLED "MOTLEY CRUE"....AND THE REST IS HISTORY. WE USED TO REHEARSE AT THE SAME REHEARSAL STUDIO AS THEM WHEN THEY WERE FIRST STARTING OUT...THIS PLACE IN HOLLYWOOD CALLED S.I.R. (AN ACRNONYM FOR "STUDIO INSTRUMENT RENTALS"). I JUST REMEMBER WHEN THEY CAME OUT, THE BUZZ IN HOLLYWOOD WAS HUGE. THEY USED TO PACK THE CLUBS. I KNEW THEY WOULD MAKE IT BIG. THERE JUST WASN'T ANYONE AROUND AT THAT TIME QUITE LIKE THEM DOING WHAT THEY WERE DOING, DRESSING HOW THEY WERE DRESSING, AND KICKING MAJOR MUSICAL ASS.

FIB MUSIC:  Another piece of Bitch trivia is that you guys were on the first Metal Massacre (Vol. 1) compilation album. Did you notice an increase in your popularity, after it was released?

Betsy:  DEFINITELY. IT GOT US ALOT OF PRESS. EVEN THOUGH WE WERE L.A.BASED, IT CREATED A GREAT NATIONAL AND INTERNATIONAL FAN BASE FOR US. WE STARTED GETTING FEATURED IN ALL THESE EUROPEAN AND AMERICAN METAL MAGS, GETTING FAN MAIL FROM ALL OVER THE WORLD....IT WAS GREAT.

FIB MUSIC:  Metallica, Malice and Black n Blue were also featured on Metal Massacre Volume 1. Did you have any idea, at that time, that Metallica would become what they did? What did you think of them?

Betsy:  I NOTICED SOMETHING DIFFERENT ABOUT METALLICA RIGHT OFF THE BAT. AT THAT TIME, THEIR MUSIC WAS A BIT HARD-CORE FOR MY TASTES (I LIKE MY METAL A BIT MORE MELODIC), BUT I COULD TELL THEY WERE DETERMINED TO DO WHAT THEY DID AND NOT STRAY THE COURSE AND DO WHATEVER IT TOOK TO MAKE IT. EVEN THOUGH THEIR MATERIAL WAS A BIT FAST AND FURIOUS, I WAS IMPRESSED WITH THEIR MUSICIANSHIP AND HOW TIGHT THEY WERE. WE PARTIED WITH THEM QUITE A BIT. ONE MEMORABLE PARTY WAS IN MY DEN AFTER A BITCH GIG....SOMEONE PUT ON MOTORHEAD AND METALLICA AND ARMORED SAINT STARTED MOSHING AND DOG-PILING. DAVE MUSTAINE LANDED ON PHIL SANDOVAL'S FOOT (THE GUITARIST FOR ARMORED SAINT) AND BROKE IT. SAINT HAD A GIG THE NEXT NIGHT AT THE TROUBADOUR, AND PHIL PLAYED THE ENTIRE SET SITTING ON A STOOL WITH HIS FOOT BANDAGED........AND ALSO THEM OPENING UP FOR US AT "THE STONE" IN SAN FRANCISCO WHEN DAVE MUSTAINE WAS PLAYING GUITAR FOR THE BAND. I THINK HE STOLE OUR CASE OF BEER THE CLUB PROVIDED FOR US AFTER THE SHOW....

FIB MUSIC:  Do you currently receive royalties from the Metal Massacre releases?

Betsy:  NOT SO MUCH FROM THE MASSACRE RELEASES, MORESO FROM THE BITCH STUFF.

FIB MUSIC:  Any idea how many copies of Vol. 1 have sold to date, or your best guess?

Betsy:  NO IDEA WHATSOEVER - SORRY.

FIB MUSIC:  How would you describe labelmate Lizzy Borden as a person / musician?

Betsy:  NICE GUY, GOOD SINGER. HE AND I GO WAY BACK. HE AND I HAVE A LOVE FOR ALICE COOPER IN COMMON. I JUST RAN INTO HIM AT THE LYNCH MOB SHOW IN HOLLYWOOD LAST WEEKEND.

FIB MUSIC:  How was it working with him?

Betsy:  IF YOU'RE REFERRING TO THE "DON'T TOUCH ME THERE" RECORDING SESSION - I HAD A BLAST DOING IT. IT WAS THEIR IDEA AND I WAS HONORED THAT THEY ASKED ME TO DO IT.

FIB MUSIC:  What stands out in your mind when you think of Lizzy Borden?

Betsy:  PROBABLY PLAYING NUMEROUS GIGS WITH THEM (ONE GIG WAS WITH THE ACTORS IN THE MOVIE "THIS IS SPINAL TAP" WHO GOT TOGETHER AS SPINAL TAP TO PLAY A BENEFIT GIG WITH US AND LIZZY ON THE BILL), AND ALSO THE "DON'T TOUCH ME THERE" RECORDING SESH.

FIB MUSIC:  What do you remember about Slayer, during their time on Metal Blade?

Betsy:  WE PLAYED SOME MEMORABLE SHOWS WITH THEM. ONE AT THE ROXY HERE IN HOLLYWOOD, ANOTHER AT THIS HUGE AUDITORIUM IN PISMO BEACH, CALIFORNIA. BETWEEN THE TWO BANDS, WE SOLD OUT THE PLACE. I THINK TOM KINDA' HAD A CRUSH ON ME BACK THEN..

FIB MUSIC:  Next you go in to record "Be My Slave". Anything stand out from those recording sessions?

Betsy:  WELL - IT WAS EXCITING BECAUSE IT WAS THE RECORDING OF OUR FIRST FULL-LENGTH L.P. UNFORTUNATELY, WE WERE ON A TIGHT SCHEDULE AND LIMITED BUDGET, AND WE HAD TO RECORD MOST OF THE ALBUM WHILE I WAS SUFFERING FROM A COLD AND SORE THROAT, SO I TEND TO CRINGE ABIT WHEN I LISTEN TO THAT RELEASE. I KNOW MY VOCALS COULD HAVE BEEN ALOT BETTER. THE PRODUCTION IS A LITTLE THIN AS WELL.

FIB MUSIC:  How long were you in the studio? Where did you record it?

Betsy:  I BELIEVE IT TOOK US SEVERAL MONTHS TO RECORD IT; MOST OF IT WAS DONE AT "TRACK RECORDS" IN L.A. WITH BILL METOYER PRODUCING.

FIB MUSIC:  Do you remember what the budget was for the record?

Betsy:  SORRY - I'M NOT GOOD WITH NUMBERS. THE OTHER GUYS IN THE BAND WOULD BE MORE WELL-VERSED TO ANSWER THAT QUESTION.

FIB MUSIC:  Do you tour to support "Be My Slave"? Who did you tour with?

Betsy:  WHILE WE WERE NEVER SENT OUT ON A EXTENDED TOUR, WE DID PLAY QUITE A BIT IN L.A. AND OUT OF THE AREA IN SUPPORT OF THE RELEASE. IN ADDITION TO JUST ABOUT EVERY HOLLYWOOD CLUB, WE PLAYED IN ARIZONA WITH FLOTSAM AND JETSAM, WE PLAYED IN QUEENS, NEW YORK AT L'AMOUR'S, WE PLAYED AT AN AUDITORIUM IN PISMO BEACH, CALIFORNIA WITH SLAYER AND IN SAN FRANCISCO AT THE STONE WITH METALLICA

FIB MUSIC:  Not too long ago, we interviewed photographer Don Adkins, what do you remember about him?

Betsy:  I ONLY REMEMBER THAT HE WAS ONE OF OUR MANY PHOTO SESSION PHOTOGRAPHERS, AND A GOOD ONE AT THAT. NICE GUY.

FIB MUSIC:  Anything stand out from the "Be My Slave" cover shoot?

Betsy:  I REMEMBER BEING SURROUNDED BY WHIPS, CHAINS, HANDCUFFS, ROPES AND ALL MANNER OF S&M PARAPHENALIA. I REMEMBER STANDING THERE AMIDST ALL OF THIS GEAR IN MY RIPPED TIGHTS, MY THIGH-HIGH BOOTS AND MY STUDDED ARM BANDS AND BRIAN SLAGEL WALKS INTO THE ROOM AND PROCLAIMED "WHAT A MESS!".

FIB MUSIC:  I read somewhere that management problems prevented Bitch from releasing a new record for four years. Can you go into more detail about why it took so long?

Betsy:  WE HOOKED UP WITH TWO MANAGERS WHO HAD A TOTALLY DIFFERENT VISION FOR BITCH THAN WE HAD PREVIOUSLY. THEY HIRED THIS WARDROBE WOMAN WHO MADE THESE OUTLANDISH STAGE CLOTHES FOR US, WHICH WE POSED IN FOR A PHOTO SESSION. I LAUGH WHEN I LOOK AT THOSE PHOTOS. WE WERE ALL LACEY AND FRINGY....IT WAS DISASTEROUS. THEY ALSO ADVISED US TO NOT PLAY TOO OFTEN, WHICH RESULTED IN US TURNING DOWN GIGS THAT WE REALLY WANTED TO TAKE. THE ONLY GOOD THING THAT CAME OUT OF IT WAS THE "BETSY" RELEASE, WHEREIN THEY HOOKED US UP WITH A PRODUCER NAMED CHRIS MINTO WHO GARNERED SOME OUTSIDE SONGWRITERS FOR US THAT RESULTED IN BETTER MATERIAL THAN WE HAD IN THE PAST. HE ALSO, AS A PRODUCER AND ENGINEER, MADE US SOUND VERY POLISHED. METAL BLADE HAD NOTHING TO DO WITH THE DELAY.

FIB MUSIC:  Who produced "The Bitch is Back"? Who engineered it? What was it like working with them?

Betsy:  IT WAS PRODUCED BY JOE ROMERSA AND ENGINEERED BY BILL METOYER. IT WAS GREAT WORKING WITH THEM, AS THEY ARE BOTH LONG-TIME CLOSE FRIENDS AND BUSINESS ASSOCIATES, AND GREAT PEOPLE TO WORK WITH. I ACTUALLY USED TO GO TO HIGH-SCHOOL WITH JOE, AND BITCH HAS BEEN WORKING WITH BILL FROM DAY-ONE OF OUR SIGNING TO METAL BLADE.

FIB MUSIC:  What was the reason behind the band changing the name from Bitch to Betsy for your next release?

Betsy:  BACK THEN THE WORD/NAME "BITCH" WAS MORE TABOO THAN IT IS NOWADAYS. WE THOUGHT CHANGING IT UP WOULD AFFORD US MORE COMMERCIAL SUCCESS. IN THE LONG-RUN, IT MADE NO DIFFERENCE, SO WE WENT BACK TO THE ORIGINAL AND BETTER NAME OF BITCH.




Betsy - "Turn You Inside Out" - Music Video 1988

FIB MUSIC:  In retrospect, do you think it was a good idea? If so or not, why?

Betsy:  IT WAS OKAY FOR ONE RELEASE...IT MADE ME FEEL "SPECIAL" - IT BEING MY NAME AND ALL - AND SINCE THE SOUND AND FEEL OF THE RELEASE WAS SO DIFFERENT, I GUESS THE NAME CHANGE WAS APPROPRIATE.

FIB MUSIC:  What was it like working with producer Chris Minto?

Betsy:  I THOROUGHLY ENJOYED RECORDING THAT RELEASE. CHRIS WAS VERY PROFESSIONAL, AND HIS PACKAGE INCLUDED HIS WIFE JANET AND HER SONGWRITING PARTNER WHO SORT OF FINE-TUNED THE MATERIAL AND PROVIDED EXCELLENT BACK-UP VOCALS. CHRIS HAD PREVIOUSLY WORKED WITH PAT BENATAR AND WAS ATTRACTED TO OUR BAND BECAUSE OF THE SIMILIARITY OF MY VOCALS TO PAT'S.

FIB MUSIC:  Any memories stand out from those recording sessions?

Betsy:  I REMEMBER SOME VERY VERY LATE NIGHTS THAT TURNED INTO EARLY MORNING HOURS. I SLEPT ON THAT STUDIO COUCH QUITE ABIT!

FIB MUSIC:  The final 80's Bitch recording is entitled, "A Rose By Any Other Name". Why wasn't it a full length release?

Betsy:  "ROSE..." WAS SOMETHING WE RELEASED STRICTLY OF RE-MIXES AND PREVIOUSLY UNRELEASED MATERIAL. WE JUST PUT IT OUT TO KEEP THE WHEELS IN MOTION AND THE BAND OUT THERE UNTIL OUR NEXT RELEASE.

FIB MUSIC:  Do you play any shows after its release, or does the band break up?

Betsy:  WE NEVER STOPPED PLAYING SHOWS AND WE NEVER OFFICIALLY BROKE UP. WE ALWAYS PLAYED, EVEN IF WAS SPORADICALLY AND WE JUST SORT OF WERE ON "HIATUS" FOR A BIT.

FIB MUSIC:  What were the 90's like for you? What did you do during this time?

Betsy:  THE 90'S WERE SORT OF A NON-DESCRIPT TIME FOR ME IN TERMS OF MUSIC. SINCE BITCH WAS ON OUR "HIATUS", I DID SOME OTHER PROJECTS, ONE OF WHICH WAS AN ALL FEMALE BAND CALLED "SISTER STRANGE". WE RECORDED A DEMO AND PLAYED ALOT OF GIGS. I ALSO DID SOME STUDIO WORK DURING THAT TIME PERIOD, HELPING FRIENDS' BANDS OUT WITH BACKING VOCALS AND SUCH.

FIB MUSIC:  Which Bitch / Betsy release sold the most copies? Do you know how many sold of that title?

Betsy:  I BELIEVE THE BEST SELLER WAS "THE BITCH IS BACK". I'M NOT SURE HOW MANY COPIES SOLD.

FIB MUSIC:  What is you favorite Bitch / Betsy release and why?

Betsy:  I AM PARTIAL TO THE "BETSY" RELEASE BECAUSE THE SONGS ARE GREAT, THE VOCALS STAND OUT AND THE PRODUCTION IS STELLAR. I PREFER MY HARD-ROCK ABIT MORE COMMERCIAL, MELODIC, CATCHY AND POLISHED, AND THAT RELEASE FILLED THE BILL FOR ME

FIB MUSIC:  Betsy Bitch is transported back to the year 1983 and you are able to redo your entire career, but you have to do three things differently. What would they be and why?

Betsy:   1) BETTER TOUR SUPPORT, BECAUSE WE HAVE A VERY IMPRESSIVE FAN BASE OUT OF LOS ANGELES, ESPECIALLY IN EUROPE

2) BEING ABLE TO TAKE MORE TIME IN RECORDING OUR FIRST RELEASE "BE MY SLAVE", AND NOT BEING SO "UNDER THE GUN" THAT IT HAD TO BE RECORDED WHEN I WAS NOT IN THE BEST OF HEALTH. I WOULD'VE LIKED OUR FIRST RELEASE TO HAVE SOUNDED BETTER IN TERMS OF VOCALS AND PRODUCTION.

3) LOOKING AS GOOD BACK THEN AS I DO TODAY(!

THE FAST 5

FIB MUSIC:  What is your most disgusting habit?

Betsy:  EATING FROSTING RIGHT OUT OF THE CAN

FIB MUSIC:  What is the most masculine thing you do?

Betsy:  WORKING OUT. THESE DAYS, I'M MORE "CUT" THAN SOME MEN I KNOW

FIB MUSIC:  If there is a God, what is the first question you would ask God when you arrive?

Betsy:  "DO YOU THINK I'M HOT?"

FIB MUSIC:  Greatest Rock band of all time?

Betsy:  IT'S A TIE BETWEEN ALICE COOPER AND CHEAP TRICK

FIB MUSIC:  What were you doing 40 minutes before you sat down to do this interview?

Betsy:  WATCHING "I LOVE LUCY" AND FEEDING MY DOGS.

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